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I had to reorganize my studio – space was needed, a disturbing problem with many artist studios. So this was my opportunity to undertake a serious inspection of my collection of paintings. Some made me smile, they are still dear old friends and it was a very warm reconnection. Some clearly didn’t pass the check. I build a nice staple of “ready to be re-worked again”.
Reworking a painting is a tricky task. In the end it asks for a lot of boldness, courage and “letting go”. But paintings on this staple are not all boring but have some very nice parts. So I am tempted to “save” these parts – against all experience that for me and my style of painting it is nearly impossible to create an authentic, lively and balanced abstract work while trying to save some parts. Working on an older painting of course keeps also some risk: You never know if you will manage to make it a better painting despite all your work…..so the question, did I succeed?
As an abstract painter I work with many layers to create depth in a painting without constructing something like a perspective. So working on an older work is interesting as it always has in store already quite some layers and if I don’t whiten the whole painting the previous painting will speak through the new layers. Here I show you some of my re-worked paintings of the last months. Do you see the connection?
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“Metamorphosis” had already gone through some changes, but I was not too pleased with the result. So after some months I said “Good bye” to the Metamorphosis and it developed into a “Wonder Flower”. This one I did without trying to “save” parts, but elder parts very nicely fit with the newer parts.
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The “Vancouver service street” holds nice memories but it lost in the “survival of the best”. It has undergone a very bold change. You see the influence of the under laying layers? How do they influence the new composition?
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This one gave me a hard time as I liked so many featured in it but never could sort out how to make it a complete painting. So I loved it and I hated it. I started this work in Tuscany, where I spend several summer painting. Definitely I was in love with the upper part. I fought to keep the red one, but it turned out to look like a big whale…so it had to go, so sorry dear red! Here you see, which parts survived and which not.
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These is also a painting from my “Fluid Periode” which I looked at and I liked it but never felt it was finished. But as I liked the flow and the style and the colours , I didn’t want to destroy it, so I did only little changes, like deepening some darker parts, darken with a pink the very light part at the left and interrupt the light horizontal part by taking down a little bit the green. Very small differences that made a notable difference to me. Now it has become a harmonic painting for my taste. What do you think?
If you want to see more changes – look at these paintings in a room!
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If you want to see more paintings in a room , tapp here!
If you want to see more paintings in a room, tapp here!
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Time by time I am sending out a newsletter. I inform about new artworks, I have made, I give some insights into my studio work and information about exhibitions and artists friends, that I like. I would be happy to include you. So please leave your address, if you are interested. You can cancle the it any moment you want!